November 2007 Archives
Nathan Fillion, on being Malcolm Reynolds
Somebody once asked me what it was like to be Malcolm Reynolds. Usually I get, “Why was Firefly cancelled?” and “Is there going to be another season/sequel?” But what was it like? Specifically, to be Mal? I wasn’t quite ready for it. I mean, sure, it was great. Boots. Coat. Gun. Ride horses. Shoot guns. Shoot guns at horses. Stinks like awesome. But what was it like? It was so long ago it pieces together like childhood memories, complete with those moments of clarity that suddenly strike you with, “Oh, yeah! I remember that!” and a lot more moments of, “Really? We did that? Was I drunk?” But like those childhood memories there are images and feelings that are indelible.
Good article. Makes me want to watch the show again.
Pick a random page on the TV Tropes and Idioms wiki.
Click on any link in that entry that looks interesting, or uses a term you don't know, or want to see if you know.
See how much time you burn before you realize you are STILL browsing the site.
As Kate mentions here, the most recent anthology from Wicked Words finally hit the US shelves this week, and reviewers have been very friendly to the story we had in the book.
Very cool to be reviewed, positively OR negatively. Believe that's a first for me.
That's all the Whedon fan-chilluns, freaking out, as Joss Whedon announces a new television series.
Echo (Eliza Dushku) [is] a young woman who is literally everybody's fantasy. She is one of a group of men and women who can be imprinted with personality packages, including memories, skills, language—even muscle memory—for different assignments. The assignments can be romantic, adventurous, outlandish, uplifting, sexual and/or very illegal. When not imprinted with a personality package, Echo and the others are basically mind-wiped, living like children in a futuristic dorm/lab dubbed the Dollhouse, with no memory of their assignments—or of much else. The show revolves around the childlike Echo's burgeoning self-awareness, and her desire to know who she was before, a desire that begins to seep into her various imprinted personalities and puts her in danger both in the field and in the closely monitored confines of the Dollhouse.
Better still is the interview that follows the announcement.
Eliza had her deal with Fox, and we went to lunch, as we sometimes do, to talk about her career and what her next step should be. Like, do I know writers, and what was the best way to protect herself, and what type of show. Eliza and I do this sometimes, because she's a friend and a great talent, and that's easily misused. She was trying to protect herself, and I was trying to get a free lunch. In the middle of lunch, I came up with the idea of this show and the title by accident.
